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Mass media --- Political aspects --- Social aspects --- Political aspects. --- Social aspects. --- Mass communications
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The Politics of Opera" takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics--through story lines, symbols, harmonies, and musical motifs--has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance--where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau.
Opera --- Political aspects --- History. --- Political aspects. --- muziekgeschiedenis --- muziek --- opera's --- Music --- Oper --- Politik
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The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took―how artists in the 1980s marked their societies' traumatic transition from decaying socialism to an insecure future―emerges in this remarkable volume. With in-depth perspectives on art and artists in the former Soviet Union, the Balkans and Mitteleuropa, China, and Cuba―all from scholars and art critics who were players in the tumultuous cultural landscapes they describe―this stunningly illustrated collection captures a singular period in the history of world art, and a critical moment in the cultural and political transition from the last century to our own. Authors Ales Erjavec, Gao Minglu, Boris Groys, Péter György, Gerardo Mosquera, and Misko Suvakovic observe distinct national differences in artistic responses to the social and political challenges of the time. But their essays also reveal a clear pattern in the ways in which artists registered the exhaustion of the socialist vision and absorbed the influence of art movements such as constructivism, pop art, and conceptual art, as well as the provocations of western pop culture. Indebted to but not derived from capitalist postmodernism, the result was a unique version of postsocialist postmodernism, an artistic/political innovation clearly identified and illustrated for the first time in these pages.
Postmodernism --- Socialism and art --- Art --- Political aspects --- Postmodernism. --- Socialism and art. --- Political aspects. --- Political philosophy. Social philosophy --- socialism --- philosophy of art --- Postmodern --- Art - Political aspects
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A timely and splendidly illustrated global exploration of the complex intersections of fashion and politics from the mid-19th century to the present day Taking a multifaceted look at a topic of widespread fascination, this pioneering book presents new research on the intersection of fashion and politics through incisive essays by the field’s leading voices, including both renowned and emerging fashion scholars. The texts unpack fashion between the mid-19th century and today as expressions of nationalism, terrorism, surveillance, and individualism, as well as a symbol of capitalism. The first section explores the political potential of fashion despite its immutable status as a commodity. The second section offers a historical account of the political nature of dress, such as the fashion of dissent within Mao’s Cultural Revolution and the Black Panther movement. The ways bodies are defined by dress—the entanglement of oppression and expression—is the theme of the third section. A fourth and final section explores contemporary issues in the practice and theory of dress, from the processes of decolonizing museum collections to the recent sartorial styles of Europe’s political Left. The book’s incisive and beautifully illustrated essays provide a timely investigation of an underdeveloped topic through a variety of historical and current formats, including public and personal archives, fashion magazines, political newspapers, museum displays, art, and social media.
Fashion --- Clothing and dress --- Political aspects --- Philosophy --- Politics --- Manufacturing technologies --- fashion [concept] --- fashion design --- Fashion - Political aspects --- Clothing and dress - Political aspects --- Fashion - Philosophy --- fashion [culture-related concept]
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Theatrical science --- toneelgeschiedenis --- Africa --- Theater --- History --- Political aspects --- Theater - Africa - History --- Theater - Political aspects - Africa - History --- Theatre (genre litteraire) africain
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German literature --- Directing --- Drama --- Piscator, Erwin --- Theater --- Political aspects --- History --- Piscator, Erwin, --- Réalisateurs de cinéma --- Théâtre prolétarien --- Théâtre --- Metteurs en scène de théâtre --- Political aspects. --- Mise en scène --- Theater - Political aspects --- Theater - History - 20th century --- Piscator, Erwin, - 1893-1966
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Acting --- Fo, Dario --- Theater --- Political aspects --- Influence --- Stage history --- Political and social views --- Theater - Political aspects --- Fo, Dario - Influence --- Fo, Dario - Stage history --- Fo, Dario - Political and social views --- Political aspects. --- Influence. --- Stage history. --- Political and social views.
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Sociology of culture --- televisieprogramma's --- publiek --- sociale ethiek --- populaire cultuur --- televisiegeneratie --- sociale media --- Mass communications --- Reality television programs --- Social aspects --- Political aspects --- Political aspects. --- Social aspects.
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Music --- nationalisme --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Europe --- 78.29.1 --- Nationalism in music. --- Political aspects --- Politics and government --- Art --- Political aspects.
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Mass media --- Communication --- Communication. --- Mass media. --- Social aspects --- Political aspects --- Political aspects. --- Social aspects. --- Samfundsvidenskab --- Sociologi. --- Mass communications --- social communications --- media --- social media
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